Imagination was given to man to compensate him for what he is not, and a sense of humor was provided to console him for what he is. - Oscar Wilde
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Animation, Art, and Other Shiny Things
The vignette B-17 from the 1981 Heavy Metal movie. My favorite movie, and magazine (where the vignettes were adapted from). I posted a video with this song a few months back (So Beautiful and So Deadly) but this is the scene the song actually comes from. Wherever and whatever, posting a scene from HM is never out of place for a FNMV.
I admit, I’m loosely defining “animated music video” tonight for the simple reason that both the song and the super-clip compilation are from the 1981 movie ‘Heavy Metal’, one of my all time favorite movies. The entire soundtrack ain’t no slouch either.
Song is by Don Felder.
Philippe Druillet [english link] spent his childhood in Catalonia on the Iberian peninsula of Spain, moving back to France when he was eight. Beginning his artistic career as a photographer, he didn’t start selling his drawings until he was 22 and soon took his most famous character Lone Sloan to the French comic magazine Pilote.
Like Moebius, Druillet is another of the founders of Les Humanoïdes Associés that subsequently published Métal Hurlant and it’s American sister mag, Heavy Metal. Also like Moebius, Druillet’s work showed up a lot in the early issues.
His stories can be somewhat inscrutable; many of his panels might have no text or dialogue and then one will have a large text box full of tightly-packed words.
Story aside, what I’ve always loved about his stuff has been the mingling of eastern, art deco, and art noveau complexities all with a savage, martial demeanor. Rather than small-scene windows into the story, Mr Druillet’s art is wide-angle and complex often given to huge vistas and grand architecture. It’s also not uncommon for his characters to be biomechanoid in some fashion, and his architecture to be rather organic – something akin to HR Giger’s work.
Here are just a few of my more favorite illustrations of his:
Hans Rudolf Giger died yesterday from complications arising from a fall. He was 74 years old.
The first time I saw the art of HR Giger, I didn’t know it. It was the cover of Emerson, Lake, and Palmer’s Brain Salad Surgery album. Even though it was about their best album, I liked the cover better.
The next time was on the cover and in the pages of Heavy Metal Magazine. The June 1980 issue, to be precise. HM had been running ads for Giger’s Necronomicon for a while, but that issue had a full spread of his art.
I don’t think I need to say much about his work in Alien (and other movies) and his subsequent success except to mention the Oscar he won for the movie and his induction into the Science Fiction and Fantasy Hall of Fame in 2013.
Thankfully there is a HR Giger Museum in Gruyères, Switzerland and, even better, the website has an online virtual tour. Worth the ‘walk’.
His ‘Biomechanoids’ were both unsettling and sensuous, mixing death and eroticism. Giger’s art reached into our little Freudian souls and dragged out hidden fantasies, bloody and wriggling.
His most distinctive stylistic innovation was that of a representation of human bodies and machines in a cold, interconnected relationship, he described as “biomechanical”. His main influences were painters Ernst Fuchs and Salvador Dalí. He met Salvador Dalí, to whom he was introduced by painter Robert Venosa. He was also a personal friend of Timothy Leary. via
The art world lost a genuine surrealistic master in H R Giger.
Here are some of my favorites of his.
Today’s extra post is to mark the sad occasion of Jean Giraud’s passing.
Born in Paris in 1938 his artwork really began impacting the comic market in the 1960’s and has been compared to the Nouveau Réalisme (new realism) style becoming popular at the time. In 1963 he adopted the pseudonym Moebius (english link) for his sci-fi work and just over a decade later, along with Dionnet, Farkas, and Druillet, (a couple other artists i’m a huge fan of) founded the French magazine Metal Hurlant which we know and love here in the US as Heavy Metal. (here’s a link to my post about HM mag)
It was his art and stories that hooked me and started my 30-plus year love affair with Heavy Metal magazine. (Druillet’s art helped alot, but his stories were a bit more avant-gard and hard to follow)
Moebius was pretty prolific and also created art for Marvel comics and various films over his over half-century career. For me, his two most important works were the Arzach and The Airtight Garage art.
While I’m certainly saddened at his demise, I truly appreciate his contributions to the art and comic world. Here are just a few of his wonderful illustrations.
An evening with “Moebius” moderated by Animation Director John Musker was an exclusive special event held at the CTN animation eXpo Nov 20, 2010. For more information about this session visit: ctnanimationexpo.com/moebius/
In late 1978 I came across a magazine by the name of Heavy Metal. An “Adult Illustrated Fantasy Magazine”. A comic, really.
This wasn’t your regular ol’ underground comix though, but some real, serious, art.
I was enthralled and did what back-filling early issues I could. (never got my hands on an issue number 1, though…)
The stories were by some of the best graphic artists and story tellers from around the world: Druillet, Corbin, Moebius, Royo, and Bilal were stand-outs to me in those early issues. New stories and stories written by Lovecraft, Poe, Burroughs, and Milton (to name a few) were interpreted and re-interpreted. The style and colors were as complex and rich as the stories themselves. The likes of Frank Miller, Robert Crumb, and HR Giger have contributed gallery spreads and cover art over the years as well.
From the Heavy Metal Fan Page:
Heavy Metal is a sequential art anthology magazine. In other words; it’s a comic. However it’s not the typical comic that most people think of. […]
Heavy Metal is mainly an assortment of different graphic illustrated stories, with the occasional article. These can vary in length anywhere from a complete half page story to dozens of pages in one [ED: or more] issue[s]. […]
The stories typically found within are works of Action and Adventure, often in a setting of Fantasy and Science Fiction. However, the stories aren’t limited to that, as you can also find Comedy, Poetry, Documentary, Drama, Horror, Mystery, Western, and just plain Weird.
Usually I have to hunt for new issues – and it can be an adventure. In the beginning the only place to find HM was at a head shop in a small by-way of Pike Place Market, and when that closed a comic store also in Pike Place (Golden Age, I think), none of the bookstore retailers would often carry it at Northgate (though the new magazine stand by the food court has it finally) and a Shoreline 7-11 that I used to frequent unexpectedly carried it for several months. Considering they only carried muscle car, WWF, and various vehicle ‘trader’ mags on that rack, the plethora of porn being behind the counter, I’d bet the appearance of HM was due to a minor minion at the mag distributor thinking it was a music rag.
And yes, that is the curve thrown. Always check the music section. If they have it, half the time or more they put it there. (I think I’m showing tremendous restraint in not departing on a tangent about clueless people. But I digress…)
Now, I do have a definite bent towards heavy metal music (my iTunes says I have over a week’s straight worth of metal in my collection, second only to rock at 18 days and ahead of jazz at only five and a half days) but I don’t need to sift through slicks blaring the likenesses of the newest studded-leather huge-haired Norwegian death metal bands. On the other hand, in its’ more proper spot HM abuts superhero re-hashings and barely intelligible pre-teen mangas. Never mind… It’s a wash I guess…
Fortunately HM can be had via handy subscription, my current method of choice and exceedingly less frustrating. The furthest hunt required is to the mailbox. (and if you wonder when the next issue will be appearing there a simple e-mail answers that. They’re nice folks there at HM)
Besides various changes in publishing schedule over the last 30 years (the time it was a quarterly was particularly brutal, in my opinion) there’s been shifts in format as well.
The art has always been pretty top shelf, I’ve always found at least one story I like in every issue, however the filler and adverts periodically devolve into pin-up art and illustrated porn. (more in the special issues rather than the regular bi-monthly issues though the regular issues do have their moments) I’m not a prude by any stretch, but it’s much like going to see an exhibition of Hokusai’s Views of Mt Fuji and finding the gift shop selling drawings of Empress Suiko’s naughty bits.
Then there was the HM2k debacle…
I was a huge fan of the 1981 movie – saw it several times and have a copy, and have the issues that contain the stories the movie’s vignettes were based on. It was terrifically awesome seeing those stories come to ‘life’ on the screen.
Heavy Metal 2000, though…
The magazine itself had been getting pin-up/porn advert laden and the promotions shouted how the main character in both the movie and the accompanying video game F.A.K.K. 2, were voiced by, and modeled on, one Julie Strain. The promotions included photos of Ms Strain dressed in ye olde standard barbarian straps, patches, and cup-for-the-naughty-bits attire certain to send even the most emo pubescent male into fits of boxer short tent making. My initial thought was that there was a casting couch somewhere that was getting a serious workout. Little did I know at the time how close to the truth I was…
Julie Strain is a former Playboy playmate and actress in several B-grade flicks and Playboy studio releases as well as (drum roll, please) then wife of Kevin Eastman, editor of Heavy Metal magazine.
Topping at over 6-feet tall and built like an Amazon out of a Frazetta painting she wasn’t a bad figure to model the main character “Julie” after, however when you’re naming the main character after the real name of the actor portraying them it’s always a bad sign in my experience and this movie didn’t change that opinion.
With animation that constantly reminded me of Saturday morning cartoons, voice acting that packed the exitement of a menu reading, and a story with no ties to the magazine other than merchandizing, I was glad I waited until it came out on video to see it.
But, hey, they were coming out with a Heavy Metal game so it all couldn’t be bad, right? Uh… Well…
Built on the Quake III engine with graphics well done for the day, it was bound to be most excellent. I was getting into Everquest at the time and close-in melee combat was a big plus. In combination with technology and big guns… It was gonna be great.
It doesn’t matter if your shoes have an Italian pedigree, the cat can still puke in them.
Characterized as unfinished or “the framework for a much better game“, F.A.K.K. 2 sent allota cats to alotta closets hunting for a loafer… (and it’s not even worth digressing into why it was so awful. but then this entire hm2k debacle was an awful digression all on it’s own so why should I compound it?)
With all this, the huge increase in the illustrated porn adverts, and no real written content anymore, doing the big hunt and paying 5 bucks for maybe one good story was getting to be a questionable venture.
Well, I have stuck with it and things seems to be looking up! Recently Heavy Metal has begun publishing an online comic called Gates by Hal Hefner. It looks great and promises to be a good story too. It’s at page 8 at the moment and a new page is published weekly. It “includes a soundtrack in homage to the 1981 film, Heavy Metal”. (not the newest one? imagine that…) Pretty slick offering and I hope they keep it up.
If that’s not enough, HM has a PDF sample of the current issue available online that looks stunning. Let’s hope they stick with it for the sake of the ebook market.
I suppose all this could be merely sound and fury to distract from a continued degradation of the print magazine itself, but it doesn’t look like it. There is some attempt to include written content – nothing like it had 30 years ago, but every little bit helps, as they say.
All in all, Heavy Metal Magazine remains a worthy read and the forays into online media is welcome and well done.