Imagination was given to man to compensate him for what he is not, and a sense of humor was provided to console him for what he is. - Oscar Wilde
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Animation, Art, and Other Shiny Things
Take the A Train (written by Billy Strayhorn) with his quartet:
As a bonus (a rogue within a rogue. a rogue inception, as it were), here is a recording of Mr Brubeck with Wynton Marsalis at the Newport Jazz Festival playing Blues for Newport.
Mr Marsalis is another one of my favorite jazz men as he is a student of his art. It’s musicians like him that will pass along the pieces Mr Brubeck added to jazz to the next generation of jazz musicians.
Your (semi-regular) Friday rogue video(s) are breaking from animation today to continue a celebration of Dave Brubeck’s work. While we’ll miss the man, the footprints he left on jazz won’t allow us to forget him too soon at all. Thankfully, in my opinion.
This is a 1964 performance of Koto Song from his 1964 album Jazz Impressions of Japan. Mr Brubeck is joined by the ubiquitous saxaphonist Paul Desmond, Eugene Wright on bass, and Joe Morello on drums.
I just read of Dave Brubeck‘s passing today. He was 91 years old.
Tomorrow, his 92nd birthday, was to have been marked by a concert in Waterbury, Connecticut. It will still go on, but as a tribute and, undoubtedly, a celebration of a jazz icon. You see, Mr Brubeck not only brought a lot to jazz, but he brought jazz to a lot of people. He played with jazz, and had so much fun with it that we could do nothing except enjoy it. Dave Brubeck changed jazz and changed the way we listened to it.
Two years ago tomorrow, when he turned 90, I posted a short bio of his college days and slide into jazz as well as a video of Take Five (with his long-time sax-man paul desmond). Please check it out. The Chicago Tribune has a nice write-up as well.
Mr Brubeck most famously played around with time signatures and here is a great example:
First track from the best Dave Brubeck album Time Out. The name comes from the 9/8 Turkish rhythms as 2+2+2+3 and 3+3+3 which are played consecutively in this piece.
From the album OFF/ON by FORMA. An excellent candidate for the Friday night (occasionally regular) rogue music video. While the ‘video mulch’ is somewhat jarring, the music track has a great layered dreamy quality that reminds me of Alan Parsons and Tangerine Dream. I think I’ll be hunting down this album.
Video mulch (!?) by Luke Wyatt
As with most of Cyriak’s videos, this one too has an increasingly complex rhythmic pattern that rivets me every time I watch it.
Official music video for Eskmo.
Your Friday night (occasional) rogue music video is a Machinima. There’s a little bit more live action than I generally prefer, but the melding of the game models (from gears of war and half life 2) into the real life background is done so incredibly well that it deserves a pass. Being one of my favorite Oakenfold tracks doesn’t hurt either…
Inspired by the short story of the same name by Ray Bradbury.
Deadmau5 feat. Chris James. Animated by Qudos Animations