The Ruffled Crow

Animation, Art, and Other Shiny Things

Category Archives: Music

Ravi Shankar 1920-2012

For the second time in a week we’ve lost a giant of music. Today, in a truly international sense, we mark the passing of Ravi Shankar. He was 92 years old.

Pandit Shankar reached across cultures with the fiery intensity of his sitar and his open and gracious demeanor bringing the music and philosophy of India to the western world in an engaging and inclusive manner. He will be missed by two cultures.

Robindro Shaunkor Chowdhury was born in Varanasi, a city along India’s Ganges river. In his youth he traveled with his brother Uday’s troupe as a dancer until settling in to study the sitar with Allauddin Khan, the court musician of Brijnath Singh Maharaja of Maihar, alongside Khan’s children Ali Akbar Khan and Annapurna Devi (whom he was married to for many years) who both became highly respected musicians themselves.

Pandit Shankar hit the international scene in the mid 1950’s thanks to violinist Yehudi Menuhin. Mr Menuhin heard Mr Shankar play during a visit to India and asked him to come to New York to introduce American audiences to classical Indian music. Mr Shankar declined the offer and instead suggested his friend Ali Akbar Khan go in his place. Mr Khan’s performances were so well received that it convinced Maestro Shankar to begin tours of Europe and America.

This is a 1963 recording of Raga Mishra Piloo by Ravi Shankar and Tabla virtuoso Chatur Lal:

Over the decades Pandit Shankar has taught and played with some of the most talented musicians on the planet, including blues man John Coltrane, composer Philip Glass, and André Previn, but folks are most familiar with his long time association with George Harrison of The Beatles with whom he teamed up with in 1971 to organize the Concert for Bangladesh.

His music has shown up in movies and has influenced western music from rock to jazz to classical to blues. His daughter Anoushka, having learned at his knee, is a sitar virtuosa herself, and in addition to carrying traditional Indian music to the next generation, she also mixes and molds it with current music styles to excellent effect. (i have most of her albums. great stuff)

This performance of Your Eyes by Anoushka Shankar at the Concert for George made me a fan:

http://youtu.be/jYwd4xhboRw

He will be missed, but he won’t be forgotten. अच्छा यात्रा, पंडित शंकर

Take The ‘A’ Train – Dave Brubeck

Take the A Train (written by Billy Strayhorn) with his quartet:

https://youtu.be/eVwkRU-iYg4

As a bonus (a rogue within a rogue. a rogue inception, as it were), here is a recording of Mr Brubeck with Wynton Marsalis at the Newport Jazz Festival playing Blues for Newport.

Mr Marsalis is another one of my favorite jazz men as he is a student of his art. It’s musicians like him that will pass along the pieces Mr Brubeck added to jazz to the next generation of jazz musicians.

Koto Song – Dave Brubeck

Your (semi-regular) Friday rogue video(s) are breaking from animation today to continue a celebration of Dave Brubeck’s work. While we’ll miss the man, the footprints he left on jazz won’t allow us to forget him too soon at all. Thankfully, in my opinion.

This is a 1964 performance of Koto Song from his 1964 album Jazz Impressions of Japan. Mr Brubeck is joined by the ubiquitous saxaphonist Paul Desmond, Eugene Wright on bass, and Joe Morello on drums.

Dave Brubeck 1920-2012

I just read of Dave Brubeck‘s passing today. He was 91 years old.

Tomorrow, his 92nd birthday, was to have been marked by a concert in Waterbury, Connecticut. It will still go on, but as a tribute and, undoubtedly, a celebration of a jazz icon. You see, Mr Brubeck not only brought a lot to jazz, but he brought jazz to a lot of people. He played with jazz, and had so much fun with it that we could do nothing except enjoy it. Dave Brubeck changed jazz and changed the way we listened to it.

Two years ago tomorrow, when he turned 90, I posted a short bio of his college days and slide into jazz as well as a video of Take Five (with his long-time sax-man paul desmond). Please check it out. The Chicago Tribune has a nice write-up as well.

Mr Brubeck most famously played around with time signatures and here is a great example:

First track from the best Dave Brubeck album Time Out. The name comes from the 9/8 Turkish rhythms as 2+2+2+3 and 3+3+3 which are played consecutively in this piece.

OFF – FORMA

We Got More – Cyriak

Don’t Let Me Go – Ruckazoid

Beautiful Machine – Paul Oakenfold

Your Friday night (occasional) rogue music video is a Machinima. There’s a little bit more live action than I generally prefer, but the melding of the game models (from gears of war and half life 2) into the real life background is done so incredibly well that it deserves a pass. Being one of my favorite Oakenfold tracks doesn’t hurt either…

http://youtu.be/8m9j9CgKX4o

Thistle – Hundred Waters

The Veldt – Deadmau5